The eye. Tony Hill.
(eVideo)
Contributors
Published
[San Francisco, California, USA] : Kanopy Streaming, 2014.
Format
eVideo
Physical Desc
1 online resource (1 video file, approximately 29 min.) : digital, .flv file, sound
Status
Description
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More Details
Language
English
Notes
General Note
Title from title frames.
Date/Time and Place of Event
Originally produced by Illuminations Media in 2008.
Description
Tony Hill's films present entirely new ways of looking at the world in which we live. His extraordinary sculptural films turn and transform, squeeze and stretch the landscape and constantly challenge how we see what's around us. They are films about perception, time and space but they are also films about the body and memory and being alive. Above all, they are constantly surprising and delightful and, often, funny. Many of the films have been created with specifically built camera rigs, and a selection of these is demonstrated in this richly illustrated interview with the artist. Among the works that Tony Hill discusses are Downside Up (1984) with its constantly orbiting viewpoint; Water Work (1987), which was shot on and just below the surface of a swimming pool; the sensual film Laws of Nature (1997); and the artist's idiosyncratic portrait of Darlington Hall Estate in Devon, Camera Obscura (2000).
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
(2014). The eye . Kanopy Streaming.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)2014. The Eye. Kanopy Streaming.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)The Eye Kanopy Streaming, 2014.
MLA Citation, 9th Edition (style guide)The Eye Kanopy Streaming, 2014.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
8792c6ab-97e6-1359-6f0c-870fa7ada98f-eng
Grouping Information
| Grouped Work ID | 8792c6ab-97e6-1359-6f0c-870fa7ada98f-eng |
|---|---|
| Full title | eye tony hill |
| Author | kanopy |
| Grouping Category | movie |
| Last Update | 2022-08-24 19:23:17PM |
| Last Indexed | 2024-04-17 02:14:54AM |
Book Cover Information
| Image Source | sideload |
|---|---|
| First Loaded | May 2, 2024 |
| Last Used | May 2, 2024 |
Marc Record
| First Detected | Jan 28, 2022 10:08:26 AM |
|---|---|
| Last File Modification Time | Aug 24, 2022 07:23:55 PM |
MARC Record
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| 500 | |a Title from title frames. | ||
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| 520 | |a Tony Hill's films present entirely new ways of looking at the world in which we live. His extraordinary sculptural films turn and transform, squeeze and stretch the landscape and constantly challenge how we see what's around us. They are films about perception, time and space but they are also films about the body and memory and being alive. Above all, they are constantly surprising and delightful and, often, funny. Many of the films have been created with specifically built camera rigs, and a selection of these is demonstrated in this richly illustrated interview with the artist. Among the works that Tony Hill discusses are Downside Up (1984) with its constantly orbiting viewpoint; Water Work (1987), which was shot on and just below the surface of a swimming pool; the sensual film Laws of Nature (1997); and the artist's idiosyncratic portrait of Darlington Hall Estate in Devon, Camera Obscura (2000). | ||
| 538 | |a Mode of access: World Wide Web. | ||
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