Razzennest.
(eVideo)

Book Cover
Average Rating
Published
[San Francisco, California, USA] : Cineverse, 2022., Kanopy Streaming, 2023.
Format
eVideo
Physical Desc
1 online resource (streaming video file) (84 minutes): digital, .flv file, sound
Status

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Language
English

Notes

General Note
Title from title frames.
General Note
Film
General Note
In Process Record.
Participants/Performers
Anne Weiner, Michael Smulik, Roland Gratzer, Sophie Kathleen Kozeluh
Date/Time and Place of Event
Originally produced by Cineverse in 2022.
Description
A South African bad-boy filmmaker meets with an indie movie critic in Los Angeles to record an audio commentary track for his elegiac documentary RAZZENNEST, but the session devolves into arthouse horror... or is it all a clever meta-satire?
System Details
Mode of access: World Wide Web.

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Citations

APA Citation, 7th Edition (style guide)

Grenzfurthner, J., Weiner, A., Smulik, M., Gratzer, R., & Kathleen Kozeluh, S. (2022). Razzennest . Cineverse.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Johannes, Grenzfurthner et al.. 2022. Razzennest. Cineverse.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Johannes, Grenzfurthner et al.. Razzennest Cineverse, 2022.

MLA Citation, 9th Edition (style guide)

Grenzfurthner, Johannes,, et al. Razzennest Cineverse, 2022.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

Staff View

Grouped Work ID
b75e97d7-cfd3-99fa-5f14-718dfb27d1df-eng
Go To Grouped Work

Grouping Information

Grouped Work IDb75e97d7-cfd3-99fa-5f14-718dfb27d1df-eng
Full titlerazzennest
Authorcineverse
Grouping Categorymovie
Last Update2023-12-20 15:53:45PM
Last Indexed2024-04-17 02:19:01AM

Marc Record

First DetectedDec 20, 2023 04:01:17 PM
Last File Modification TimeDec 20, 2023 04:01:17 PM

MARC Record

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520 |a A South African bad-boy filmmaker meets with an indie movie critic in Los Angeles to record an audio commentary track for his elegiac documentary RAZZENNEST, but the session devolves into arthouse horror... or is it all a clever meta-satire?
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